By Annie Bourneuf
Bourneuf argues that Klee joined those components to ask a fashion of viewing that may spread in time, a method analogous to studying. From his tricky titles to the small scale he favourite to his metaphoric play with fabrics, Klee created varieties that hover among the pictorial and the written. via his special approach, he subverted kinds of modernist portray that have been regularly noticeable to threaten gradual, contemplative viewing. Tracing the fraught family between seeing, interpreting, and imagining within the early 20th century, Bourneuf indicates how Klee reconceptualized abstraction at a key second in its development.
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